It is 1998, the year in which America is whipped into a frenzy of prurience by the impeachment of a president, and in a small New England town an ageing classics professor, Coleman Silk is forced to retire when his colleagues decree that he is a racist. The charge is a lie, but the real ruth about Silk would astonish even his most virulent accuser ...
It is 1998, the year in which America is whipped into a frenzy of prurience by the impeachment of a president, and in a small New England town an ageing classics professor, Coleman Silk is forced to retire when his colleagues decree that he is a racist. The charge is a lie, but the real ruth about Silk would astonish even his most virulent accuser. Coleman Silk has a secret, one which has been kept for fifty years from his wife, his four children, his colleagues, and his friends, including the writer Nathan Zuckerman. It is Zuckerman who stumbles upon Silk's secret and sets out to reconstruct the unknown biography of this eminent, upright man, esteemed as an educator for nearly all his life, and to understand how this ingeniously contrived life came unravelled. And to understand also how Silk's astonishing private history is, in the words of the Wall Street Journal, 'magnificently' interwoven with 'the larger public history of modern America'.
Good. 2001-Paperback-Used-Good--Shows some shelf-wear. May contain old price stickers or their residue, inscriptions or dedications from previous owners in first few pages and remainder marks.-. -Hall Street Books proudly ships from Brooklyn, NY. All orders are processed and shipped within 24 business hours, Mon-Fri. Expedited shipping and tracking available within the US. Hall Street's No-Worry guarantee lets you buy with confidence!
Our goal with every sale is customer satisfaction, so please buy with confidence. Ever y order is shipped the same day or the next day. This is a used book in good condition and may show some signs of use or wear.
Personally, I don't care for "Portnoy's Complaint". But I am So glad I didn't let that keep me from reading this book- which strikes me as a true masterpiece. It addresses a variety of issues of modern times- perhaps most notably race, but also others (such as women's issues and the Viet Nam War) . Roth really opened my eyes about some of the challenges that face veterans returning to this country. The characters are as multidimensional as the issues. A great read. Don't miss.
May 12, 2008
I guess I'm not a fan
If you like Philip Roth's works then this is a really good one. If you have never read one of his books then this is a good one to start with, so that you know he can write well. As for the story... The book seemed far more a showcase for his ability to write a novel, using all the elements as dutifully taught by various schools of thought, than it was about anything; that he was more interested in toying with form than with readability and plot.
Sep 27, 2007
I had seen the movie on TV and decided to get the book. The movie was well acted and followed the book enough to make a good movie but reading the book was much better. If you can, see the movie and read the book, in that order. Adaria
Publishers Weekly, 2000-03-27 Roth almost never fails to surprise. After a clunky beginning, in which crusty Nathan Zuckerman is carrying on about the orgy of sanctimoniousness surrounding Clinton's Monica misadventures, his new novel settles into what would seem to be patented Roth territory. Coleman Silk, at 71 a distinguished professor at a small New England college, has been harried from his position because of what has been perceived as a racist slur. His life is ruined: his wife succumbs under the strain, his friends are forsaking him, and he is reduced to an affair with 34-year-old Faunia Farley, the somber and illiterate janitor at the college. It is at this point that Zuckerman, Roth's novelist alter ego, gets to know and like Silk and to begin to see something of the personal and sexual liberation wrought in him by the unlikely affair with Faunia. It is also the point at which Faunia's estranged husband Les Farley, a Vietnam vet disabled by stress, drugs and drink, begins to take an interest in the relationship. So far this is highly intelligent, literate entertainment, with a rising tension. Will Les do something violent? Will Delphine Roux, the young French professor Silk had hired, who has come to hate him, escalate the college's campaign against him? Yes, but she now wants to make something of his Faunia relationship too. Then, in a dazzling coup, Roth turns all expectations on their heads, and begins to show Silk in a new and astounding light, as someone who has lived a huge lie all his life, making the fuss over his alleged racism even more surreal. The book continues to unfold layer after layer of meaning. There is a tragedy, as foretold, and an exquisitely imagined ending in which Zuckerman himself comes to feel both threatened and a threat. Roth is working here at the peak of his imaginative skills, creating many scenes at once sharply observed and moving: Faunia's affinity for the self-contained remoteness of crows, Farley's profane longing for a cessation to the tumult in his head, Zuckerman delightedly dancing with Silk to the big band tunes of their youth. He even brings off virtuoso passages that are superfluous but highly impressive, like his dissection of the French professor's lonely anguish in the States. This is a fitting capstone to the trilogy that includes American Pastoral and I Married a Communist--a book more balanced and humane than either, and bound, because of its explosive theme, to be widely discussed. 100,000 first printing. (May) Copyright 2000 Cahners Business Information.
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited, Baker & Taylor, Inc., or by their respective licensors, or by the publishers, or by their respective licensors. For personal use only. All rights reserved. All rights in images of books or other publications are reserved by the original copyright holders.