264 wood and ivory carvings, none of them larger than a matchbox: potter Edmund de Waal was entranced when he first encountered the collection in the Tokyo apartment of his great uncle Iggie. Later, when Edmund inherited the 'netsuke', they unlocked a story far larger than he could ever have imagined...The Ephrussis came from Odessa, and at one ...
264 wood and ivory carvings, none of them larger than a matchbox: potter Edmund de Waal was entranced when he first encountered the collection in the Tokyo apartment of his great uncle Iggie. Later, when Edmund inherited the 'netsuke', they unlocked a story far larger than he could ever have imagined...The Ephrussis came from Odessa, and at one time were the largest grain exporters in the world; in the 1870s, Charles Ephrussi was part of a wealthy new generation settling in Paris. Marcel Proust was briefly his secretary and used Charles as the model for the aesthete Swann in Remembrance of Things Past. Charles' passion was collecting; the netsuke, bought when Japanese objects were all the rage in the salons, were sent as a wedding present to his banker cousin in Vienna. Later, three children - including a young Ignace - would play with the netsuke as history reverberated around them. The Anschluss and Second World War swept the Ephrussis to the brink of oblivion. Almost all that remained of their vast empire was the netsuke collection, smuggled out of the huge Viennese palace (then occupied by Hitler's theorist on the 'Jewish Question'), one piece at a time, in the pocket of a loyal maid - and hidden in a straw mattress. In this stunningly original memoir, Edmund de Waal travels the world to stand in the great buildings his forebears once inhabited. He traces the network of a remarkable family against the backdrop of a tumultuous century. And, in prose as elegant and precise as the netsuke themselves, he tells the story of a unique collection which passed from hand to hand - and which, in a twist of fate, found its way home to Japan.
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Good. Item may show signs of shelf wear. Pages may include limited notes and highlighting. Includes supplemental or companion materials if applicable. Access codes may or may not work. Connecting readers since 1972. Customer service is our top priority.
Very Good. No Dj. 8vo. pp. 418, " Two hundred and sixty-four Japanese wood and ivory carvings, none of them larger than a matchbox: Edmund de Waal was entranced when he first encountered the collection in his great-uncle Iggie's Tokyo apartment. When he later inherited the netsuke, they unlocked a far more dramatic story than he could ever have imagined. From a burgeoning empire in Odessa to fin de siècle Paris, from occupied Vienna to postwar Tokyo, de Waal traces the netsuke's journey through generations of his remarkable family against the backdrop of a tumultuous century. With sumptuous photographs of the netsuke collection and full-color images from de Waal's family archive, the illustrated edition of The Hare with Amber Eyes transforms a deeply intimate saga into a work of visual art."
Excellent, riveting book, a little slow at the beginning but then you can't put it down.
Oct 18, 2012
pictures worth thousands of words
A wonderful page-turning historical story, newly illuminated by masses of photos and maps and documents. I don't own two copies of many books, but this duplicate is so worth it!
May 3, 2012
More than biography
The author traces his inheritance of a netsuke collection back to the ancestor who first acquired it. In so doing he tells us of the lives of those who have owned it, and of the times and places in which they lived. The collection amazingly survived even a Nazi incursion into the very house where they were displayed, though much else was destroyed; it was preserved by a German woman who was loyal to this Jewish family.
Dec 1, 2011
My favorite book this year!
This is fascinating, beautifully written and sensitively observed. I am giving it to those I love the most.
Jul 8, 2011
Art & history
This is not jjust all about netsuke, a collection of which the author has inherited, but an excellent historical narrative, after a Parisian episode, of what life was like in Austria, and Vienna in particular, before and after the dissolution and dismemberment in 1918-19 of th Austro-Hungarian Empire, and later, in 1938-39, of the Nazi political, cultural and economic takeover of the country. The Jewish predicament during all these dramatic happenings is espeacially well presented.
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