Good. 2009-Paperback-Used-Good--Shows some shelf-wear. May contain old price stickers or their residue, inscriptions or dedications from previous owners in first few pages and remainder marks.-. -Hall Street Books proudly ships from Brooklyn, NY. All orders are processed and shipped within 24 business hours, Mon-Fri. Expedited shipping and tracking available within the US. Hall Street's No-Worry guarantee lets you buy with confidence!
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Fair. Good copy for reading, may have heavy page wear with writing textual notes highlighting or be an heavily used ex library copy with library markings, stickers or stamps. Dust jacket or accessories may not be included.
Publishers Weekly, 1988-04-01 A pining admirer describes the transformation of a middle-aged anthropologist from a vibrant and brilliant woman to a helpless and lovestruck victim, at the hands of a cruel younger man. PW hailed this ``confident'' and ``consuming'' first novel. (June)
Publishers Weekly, 1987-02-13 Structured in a circular way, beginning and ending on Gray Kaiser's 60th birthday, this novel gathers momentum as it goes. Gray, a preeminent anthropologist living in Boston, famous for her studies of matriarchal societies in Africa, is a majestic, independent woman. In her late middle age, she falls in love for the first time with a cruel, much younger man, Raphael Sarasola, who is obviously using her for her money and connections. Errol McEchern, the long-time associate who has pined for Gray for years, subjugating his own needs to be with her, narrates the drama while, simultaneously, being deeply involved in it. What he does not witness, he invents; he relates Gray's first expedition to Africa, where she met Charles Corgie, Raphael's predecessor, as well as the story of Raphael's adolescence living in an abandoned factory in North Adams. As Gray transforms before Errol's eyes from a vibrant, brilliant scholar to a helpless, lovestruck victim, Errol begins to get glimmers of insight into his own failings and inability to extricate himself from the destructive triangle. The quality and vividness of Errol's imagination is a tribute to Shriver's own; the pieces fall neatly and compellingly into place. This is a confident first novel and a consuming one. (April)
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