From the award-winning author of Lucky Girls comes an intricately woven novel about secrets, love, art, identity and the shining chaos of everyday American life. Yuan Zho, a celebrated Chinese performance artist and political dissident, has accepted a one year's artist's residency in Los Angeles. He is to be a Visiting Scholar at the St Anselm's ...
From the award-winning author of Lucky Girls comes an intricately woven novel about secrets, love, art, identity and the shining chaos of everyday American life. Yuan Zho, a celebrated Chinese performance artist and political dissident, has accepted a one year's artist's residency in Los Angeles. He is to be a Visiting Scholar at the St Anselm's School for Girls, teaching advanced art, and hosted by one of the school's most devoted families: the wealthy if dysfunctional Traverses. The Traverses are too preoccupied with their own problems to pay their foreign guest much attention, and the dissident is delighted to be left alone -- his past links with the radical movements give him good reason to avoid careful scrutiny. The trouble starts when he and his American hosts begin to view one another with clearer eyes.
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Freudenberger tackles politically-loaded subjects including art, government, and power/gender hierarchies in a rich and pleasurable novel that maintains its sense of fun even as it delves into hotly contested issues.
Publishers Weekly, 2006-07-10 Freudenberger fulfills the promise of her 2003 collection of short stories, Lucky Girls, in her expansive first novel. Yuan Zhao, a Chinese performance artist entangled in the subversive community of the Beijing East Village (an artist enclave located in Beijing's "industrial dump"), moves to Los Angeles for an exhibition of his work and to teach studio art to gifted students at the St. Anselm's School for Girls. Upon arrival at the Traverses', his host family, Zhao finds himself in a domestic minefield: Cece Travers, the family matriarch, is having an affair with her brother-in-law, Phil. Meanwhile, her children fumble through adolescence, and her husband, psychiatrist Gordon, phones in his familial obligations. Freudenberger juxtaposes Zhao's early artist days in the East and his unrequited love for the woman he left behind with his solitary life in Los Angeles, where he grows obsessed with a Chinese art student. Under a blanket of cultural misunderstandings and xenophobia, Freudenberger tackles big questions about art: what makes an artist; how artists and writers borrow from each other; and how they appropriate details from the lives of their friends and families. Freudenberger sometimes missteps into humdrum Hollywood satire and uninspired relationship drama, but Zhao is distinctly fresh; it's when describing his journey that Freudenberger's novel takes flight. (Sept.) Copyright 2006 Reed Business Information.
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