Excerpt: ...405 "It appeared to me that in ascending and descending the scale, the intervals were always exactly half-tones; and I am sure that the highest note was the exact octave to the lowest. The quality of the notes is very musical; and I do not doubt that a good violinist would be able to give a correct idea of the gibbon's composition, excepting as regards its loudness." Mr. Waterhouse then gives the notes. Professor Owen, who is likewise a musician, confirms the foregoing statement, and remarks that this gibbon ...
Excerpt: ...405 "It appeared to me that in ascending and descending the scale, the intervals were always exactly half-tones; and I am sure that the highest note was the exact octave to the lowest. The quality of the notes is very musical; and I do not doubt that a good violinist would be able to give a correct idea of the gibbon's composition, excepting as regards its loudness." Mr. Waterhouse then gives the notes. Professor Owen, who is likewise a musician, confirms the foregoing statement, and remarks that this gibbon "alone of brute mammals may be said to sing." It appears to be much excited after its performance. Unfortunately its habits have never been closely observed in a state of nature; but from the analogy of almost all other animals, it is highly probable that it utters its musical notes especially during the season of courtship. 333 The perception, if not the enjoyment, of musical cadences and of rhythm is probably common to all animals, and no doubt depends on the common physiological nature of their nervous systems. Even Crustaceans, which are not capable of producing any voluntary sound, possess certain auditory hairs, which have been seen to vibrate when the proper musical notes are struck. 406 It is well known that some dogs howl when hearing particular tones. Seals apparently appreciate music, and their fondness for it "was well known to the ancients, and is often taken advantage of by the hunters at the present day." 407 With all those animals, namely insects, amphibians, and birds, the males of which during the season of courtship incessantly produce musical notes or mere rhythmical sounds, we must believe that the females are able to appreciate them, and are thus excited or charmed; otherwise the incessant efforts of the males and the complex structures often possessed exclusively by them would be useless. With man song is generally admitted to be the basis or origin of instrumental music. As...
Good. No dust jacket. Heavy wear and chipping on ends of spine, corners bumped and edge rubbed; owner's named stamped on flyleaf; pages yellowed at edges but text is clean and clear. 688 p. Includes: illustrations, index. Dark red cloth over boards; gold lettering on spine
Volume 2. This is an ex-library book and may have the usual library/used-book markings inside. This book has hardback covers. In poor condition, suitable as a reading copy. Green cloth boards. Water damage visible to half of front cover. Spine and edges of over show significant signs of wear. Several pages coming loose. Pages 341-348 completely separate, but pages 343-346 missing. Water damage to page 340. Some light foxing on edge of pages., 950grams, ISBN:
Good-. GOOD-. red Half Leather-spine and corners bound in leather, split to spine ends, rub wear to corners and edges, heavy shelf wear. Once Read Books, cover scan available-just ask, OnceReadBooks comOrders shipped via USPS.
Very Good. With illustrations. Second edition, revised and augmented (authorized edition). Octavo, bound in burgundy cloth with gilt lettering along the spine, top edge gilt. Fading along the spine, else very good. Some unopened pages. Binding is solid.; 688 pages.
Easton Press, Norwalk, CT, 1979. 1st Ed(AsSuch), Fine-, LEATHER BOUND, Size=8"x10", 362pp(Index). Very faint shadow from former bookplate? on front free endpaper, o.w. clean, tight & bright. NO ink names, bookplates, etc. Rest of book is in like NEW condition. Full leather bound with raised spine ribs & moire endpapers, gold stamped cover & spine design. Has all around page end gold gilt & attached cloth page marker. 99% OF OUR BOOKS ARE SHIPPED IN CUSTOM BOXES ALL ARE WELL PACKED WITH CARE!
Kredel, Fritz. Fine. No dust jacket as issued. Hardcover with covers like pictured (El Three Media image). Genuine leather covered boards. Gold gilded page edge on three sides. Covers and pages are clean, unmarked, undamaged with secure binding. Shipped in sturdy... 362 p. Includes: illustrations, index.
Illustrated by Fritz Kredel. As New with No dust jacket as issued. Publisher's full black leather, decorated with 22kt gilt, spine in five compartments separated by raised bands, gilt lettering or decoration in each compartment, intricate gilt decoration on both covers, a.e.g., tan moire silk endpapers, printed on archival paper, silk ribbon marker bound in, Smythe sewn, with concealed muslin joints. Illustrated with B&W drawings by Fritz Kredel and with an preface by Ashley Montagu. The volume is in perfect, pristine condition, unmarked, tight, square and clean. AS NEW. The 100 Greatest Books Ever Written Series. B&W drawings. Small 4to 9"-11" tall. xvii, 362 pp.
Darwin's Descent of Man is one of the great books of all time. If you haven't haven't read it (along with the Origin of Species), you haven't lived! In the first part of the work Darwin explores the evidence for humanity's descent from primate ancestors, and, deeper in time, from the vertebrate lineage. He also deals with questions such as the place of origin of humans (he assumes, correctly, Africa), and whether the human races are sufficiently distinct as to be different species (he dismisses this argument conclusively). The second part of the work is about sexual selection, those aspects of an organism that are not formed by natural selection (competition), but by the preferences of other members of the species in breeding choices. Darwin returns at the end of the book to humans, arguing that many features of humans are a result of sexual selection. Two qualities epitomise this work, firstly the vast erudition of the author and the subtleties of his argument. Secondly the evident affection and compassion with which Darwin viewed all living things. Who can forget, for example, his anecdote of the male dung beetle who appeared ?highly agitated? when his mate was removed, and the female dung-beetle, who when the male was removed, stopped still and refused to move at all!
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