Dostoevsky's last novel, "The Karamazov Brothers (1880), is both a crime story and a passionate philosophical debate. The dissolute landowner Fyodor Pavlovich Karamazov is murdered; his sons - the atheist intellectuall Ivan, the hot-blooded Dmitry, and the saintly novice Alyosha - are all at some level involved. Bound up with this intense family ...Read MoreDostoevsky's last novel, "The Karamazov Brothers (1880), is both a crime story and a passionate philosophical debate. The dissolute landowner Fyodor Pavlovich Karamazov is murdered; his sons - the atheist intellectuall Ivan, the hot-blooded Dmitry, and the saintly novice Alyosha - are all at some level involved. Bound up with this intense family drama is Dostoevsky's exploration of many deeply felt ideas about the existence of God, freedom of will, the collective nature of guilt, and the disastrous consequences of rationalism. The novel is also richly comic; the Russian Orthodox Church, the legal system, and even the author's most cherished characters and causes are presented in an irreverent light, so that there appears no sharp distinction between health and disease or right or wrong. The power and impetus of the novel come largely from the eloquent voices of its numerous characters, and this translation aims to do justice to Dostoevsky's dramatic virtuosity, particularly in his use of the spoken word.Read Less
Good. Connecting readers with great books since 1972. Used books may not include companion materials, some shelf wear, may contain highlighting/notes, and may not include cd-rom or access codes. Customer service is our top priority!
Publishers Weekly, 2013-09-30 The depth, complexity, and length of what many consider to be Dostoyevski's best work make it one of the hardest classic novels to bring to audio. The philosophical novel/murder mystery set in 19th-century Russia requires a strong and versatile narrator to keep listeners going for the day-and-a-half-plus duration. Thankfully, narrator Constantine Gregory masters the challenge. In doing so, he manages the omniscient third-person narration by using a pleasant mellifluous tone that invites the listener to relax and approach the text patiently and carefully. The novel also features first-person voices from the large cast of characters, such as Father Zosima, who, naturally enough, argues for the existence of a higher power-and Gregory is able to imbue those sections with enough individuality to make them as distinct as the author intended. (July) (c) Copyright PWxyz, LLC. All rights reserved.
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited, Baker & Taylor, Inc., or by their respective licensors, or by the publishers, or by their respective licensors. For personal use only. All rights reserved. All rights in images of books or other publications are reserved by the original copyright holders.