Set in seventeenth-century Iran, THE BLOOD OF FLOWERS is the powerful and haunting story of a young girl's journey from innocence to adulthood. The novel begins in the 1620s in a remote village where the narrator (whose name, in the Iranian storytelling tradition, we are never to know) lives with her mother and rug-maker father. On the sudden ...
Set in seventeenth-century Iran, THE BLOOD OF FLOWERS is the powerful and haunting story of a young girl's journey from innocence to adulthood. The novel begins in the 1620s in a remote village where the narrator (whose name, in the Iranian storytelling tradition, we are never to know) lives with her mother and rug-maker father. On the sudden death of her father our heroine and her mother fall upon hard times and are forced to travel to the bustling, beautiful, exotic city of Isfahan where relatives take them in. Everything is new: the grudging charity of her aunt, the encouragement of her uncle, one of the finest carpet-makers in the world, who begins to teach her his craft, the treacherous friendship of the daughter of rich neighbours. And there's an adventure ahead which will introduce her to the sensual side of life as well as to the cruelty of betrayal and rejection before she finds her way to contentment and possibly, even, to happiness, in a world full of contrasts and dangers.
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Publishers Weekly, 2007-02-12 In Iranian-American Amirrezvani's lushly orchestrated debut, a comet signals misfortune to the remote 17th-century Persian village where the nameless narrator lives modestly but happily with her parents, both of whom expect to see the 14-year-old married within the year. Her fascination with rug making is a pastime they indulge only for the interim, but her father's untimely death prompts the girl to travel with her mother to the city of Isfahan, where the two live as servants in the opulent home of an uncle-a wealthy rug maker to the Shah. The only marriage proposal now in the offing is a three-month renewable contract with the son of a horse trader. Teetering on poverty and shame, the girl weaves fantasies for her temporary husband's pleasure and exchanges tales with her beleaguered mother until, having mastered the art of making and selling carpets under her uncle's tutelage, she undertakes to free her mother and herself. With journalistic clarity, Amirrezvani describes how to make a carpet knot by knot, and then sell it negotiation by negotiation, guiding readers through workshops and bazaars. Sumptuous imagery and a modern sensibility (despite a preponderance of flowery language and schematic female bonding and male bullying) make this a winning debut. (June) Copyright 2007 Reed Business Information.
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