Her father and her uncle were U.S. congressmen. Her grandfather was a U.S. senator. Although born to privilege in Alabama and groomed in a convent school, Tallulah Bankhead resolved not to be just another southern belle. Quickly she rose to the top and became an acclaimed actress of London's West End and on the Broadway stage. Her performances ...
Her father and her uncle were U.S. congressmen. Her grandfather was a U.S. senator. Although born to privilege in Alabama and groomed in a convent school, Tallulah Bankhead resolved not to be just another southern belle. Quickly she rose to the top and became an acclaimed actress of London's West End and on the Broadway stage. Her performances in many plays of the 1920s brought her to the notice of Hollywood. She starred in such Paramount films as "My Sin," "Faithless," "The Devil and the Deep," and "Thunder Below." Even though she won a New York Film Critics Circle Award for her leading role in Alfred Hitchcock's "Lifeboat" (1944), she never achieved the prominence in movies that she enjoyed in the theater and on radio. On the New York stage she originated the starring roles of Regina Giddens in Lillian Hellman's "The Little Foxes" and of Sabina in Thornton Wilder's "The Skin of Our Teeth." Tallulah, like Eudora, Flannery, and Coretta, was a southern woman identifiable by her first name. Her flamboyant public personality may be the most fully realized and memorable character Bankhead ever played. She became famous for her snappy repartee, candid quotes, and scandalous lifestyle. She was disposed to remove her clothes and chat in the nude. Overfond of Kentucky bourbon and wild parties, she was a lady baritone who called everybody "Dahling." In "Tallulah," first published in 1952 and a New York Times bestseller for twenty-six weeks, Bankhead's literary voice is as lively and forthright as her public persona. She details her childhood and adolescence, discusses her dedication to the theater, and presents amusing anecdotes about her life in Hollywood, New York, and London. Along with a searing defense of her lifestyle and rambunctious habits, she provides a fiercely opinionated, wildly funny account of American stage at a time when the movies were beginning to cast theater into eclipse. This is not only a memoir of an independent woman but also an insider look at American entertainment during a golden age.
Fair. Stated First Edition, HB, Harper & Brothers, NY, 1952, stated First Edition, colored frontis, lots of illustrations from photos, indexed. Teal paper on boards with 1/8 black backstrip is showing a hard life, back top corner chewed off by puppy, backstrip missing from spine and back cover, corners are bumped, weak hinges, contents are bright and clean. Poor.
Fair. A readable copy only. All pages and the cover are intact, may not include dust jacket. Pages may include considerable notes in pen or have highlighting. Possible ex library copy. May not contain accessories.
Fair in Fair- jacket. Hard cover in fair condition, dust jacket is in fair-condition. The jacket has alot of edge wear, alot of small tears along the edges, creases, and some scuffs. The book has alot of edge wear, some spots on edges rubbed through, and a book plate inside front cover with former owners name, pages are tight and coean, [Satisfaction Guaranteed! ].
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Good in good dust jacket. Dust jacket shows minor wear and tear, rubbing and soilng, fading, is price-clipped. Pages are clean, text is intact and unmarred. Very Clean Copy-Over 500, 000 Internet Orders Filled.
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