324 pages. Hardcover with dustjacket. Very good condition. THEATER. Kanfer traces the meteoric rise, precipitous fall, and lasting mark of Yiddish theater on American theater, film, and culture in general. The venues in New York City have all gone. So have the performers and their immigrant audiences. But here they live again as Kanfer meticulously unravels the history of Jewish theater. Includes an index. (Key Words: Theater, Yiddish Theather, ).
Publishers Weekly, 2006-08-07 In this highly readable social history of Yiddish theater, Kanfer traces the genre from its genesis in eastern Europe to its flowering on New York's Lower East Side in the early 20th century. He explores its success within the New World's intellectual ferment, as Jewish writers and performers introduced greenhorn audiences to Shakespeare and Tolstoy in a bid to enlighten the masses and stoke their social aspirations. But the plays' irony and rapid-fire timing made their flavor uniquely Yiddish, as they expressed and framed the immigrant experience-tackling issues from poverty to assimilation that elevated them above mere escapism. With the character-driven narrative skill and assiduous research that mark his biography of Lucille Ball (Ball of Fire), Kanfer limns delightful portraits of genre stalwarts like playwright/director Abraham Goldfaden and actor Jacob Adler. Though Yiddish theater had faded by mid-century, its demise hastened by Hollywood, Kanfer makes a salient case that it was more than a momentary fad. He argues for the pliancy of the "Velcro language," its DNA carried in the era's most influential acting teacher, Adler's daughter Stella-whose students included Robert De Niro and Marlon Brando. Through them, the legacy endures. Photos not seen by PW. (Oct.) Copyright 2006 Reed Business Information.
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