In an old mansion in Cennethisar, a former fishing village near Istanbul, an old widow Fatma awaits the annual summer visit of her grandchildren. She has lived in the village for decades, ever since her husband, an idealistic young doctor, first arrived to serve the poor fishermen. Now mostly bedridden, she is attended by her faithful servant ...
In an old mansion in Cennethisar, a former fishing village near Istanbul, an old widow Fatma awaits the annual summer visit of her grandchildren. She has lived in the village for decades, ever since her husband, an idealistic young doctor, first arrived to serve the poor fishermen. Now mostly bedridden, she is attended by her faithful servant Recep, a dwarf and the doctor's illegitimate son. Under the creeping shadow of right-wing nationalism and political revolution, they share memories, and grievances, of the early years, before their home became a high-class resort. Her visiting grandchildren are Faruk, a dissipated failed historian; his sensitive leftist sister, Nilgun, has yet to discover the real-life consequences of highminded politics; and Metin, a high school student drawn to the fast life of the nouveaux riches, who dreams of going to America. But it is Recep's nephew Hassan, a high-school dropout, lately fallen in with right-wing nationalism, who will draw this family into the revolution and the growing political cataclysm issuing from Turkey's tumultuous century-long struggle for modernity. By turns deeply moving, hilarious, and terrifying, Silent House pulses with the energy of a great writer's early work even as it offers beguiling evidence of the mature genius for which Orhan Pamuk, winner of the Nobel Prize in 2006, would later be world renowned.
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Publishers Weekly, 2012-12-24 Nobel Prize-winner Pamuk's spirited and spellbinding second novel, previously unpublished in English, follows a Turkish family as they come together in a fishing village outside Istanbul prior to a military coup in 1980. Narrated by a talented cast of performers, including Emrhys Cooper, John Lee, Jonathan Cowley, and Juliet Mills, this memorable audio edition proves to be an engaging production that will enchant listeners with its understated performances and superb pacing. Cooper and Lee are the true standouts, delivering stellar turns that resonate long after the final chapter. However, the entire cast is solid, its members boasting spot-on voices, dialects, and characterizations. This early work from Pamuk is brought to life-and fans will not be disappointed. A Knopf hardcover. (Oct.) (c) Copyright PWxyz, LLC. All rights reserved.
Publishers Weekly, 2012-08-13 In this first English publication of an early novel by the Nobel laureate, nonagenarian widow Fatma Darvinoglu lives in the eponymous house, a derelict villa in a seaside village near Istanbul. Bitter, sharp-tongued, and irritable, she arrived there as a teenage bride and endured the ensuing decades while her husband, Selahattin, sold off her jewelry to support his writing of a 48-volume encyclopedia intended to prove to his superstitious countrymen that God does not exist and that only by worshipping science could Turkey hope to achieve Westernized civilization. Their son, Dogan, an alcoholic like his father, died at 52, leaving three now adult children who have come to Cennethisar for their annual visit with grandmother. Faruk, the eldest, is a failed historian; Nilgun, his sister, is drawn to the Communist Party; adolescent Metin is jealous of his wealthy peers who drink immoderately and do drugs. The siblings are aware that the dwarf Recep, their grandmother's servant, is also their uncle. Recep and his crippled brother, Ismail, were the product of Selahattin's liaison with a servant. Ismail's son, Hasan, a high school delinquent, has joined with nationalist thugs who frighten villagers. While Pamuk deftly suggests the political strife that roiled Turkish society before the 1980 coup, this narrative never achieves the richness and depth of his later work. All but one of the eight major characters are neurotic, self-pitying, resentful, contemptuous of others-even while they yearn to assuage their loneliness-and filled with grandiose dreams of what they'll never achieve. Pamuk uses stream-of-consciousness to convey their inchoate thoughts, and he's most effective when chronicling Hasan's increasing mental instability. Pamuk's belief that "[h]istory's nothing but a story" adds substance to what is otherwise a dispiriting tale. Agent: Andrew Wylie. (Oct. 12) (c) Copyright PWxyz, LLC. All rights reserved.
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