Harold Bloom, the doyen of American literary critics and author of The Western Canon, has spent a professional lifetime reading, writing about and teaching Shakespeare. In this magisterial interpretation, Bloom explains Shakespeare's genius in a radical and provocative re-reading of the plays. How to understand Shakespeare, whose ability so far ...
Harold Bloom, the doyen of American literary critics and author of The Western Canon, has spent a professional lifetime reading, writing about and teaching Shakespeare. In this magisterial interpretation, Bloom explains Shakespeare's genius in a radical and provocative re-reading of the plays. How to understand Shakespeare, whose ability so far exceeds his predecessors and successors, whose genius has defied generations of critics' explanations, whose work is of greater influence in the modern age even than the Bible? This book is a visionary summation of Harold Bloom's reading of Shakespeare and in it he expounds a brilliant and far-reaching critical theory: that Shakespeare was, through his dramatic characters, the inventor of human personality as we have come to understand it. In short, Shakespeare invented our understanding of ourselves. He knows us better than we do: 'The plays remain the outward limit of human achievement: aesthetically, cognitively, in certain ways morally, even spiritually. They abide beyond the end of the mind's reach; we cannot catch up to them. Shakespeare will go on explaining us in part because he invented us...' In a chronological survey of each of the plays, Bloom explores the supra-human personalities of Shakespeare's great protagonists: Hamlet, Lear, Falstaff, Rosalind, Juliet. They represent the apogee of Shakespeare's art, that art which is Britain's most powerful and dominant cultural contribution to the world, here vividly recovered by an inspired and wise scholar at the height of his powers.
Our goal with every sale is customer satisfaction, so please buy with confidence. E very order is shipped the same day or the next day. This is a used book in good condition and may show some signs of use or wear.
Fair. Good copy for reading, may have heavy page wear with writing textual notes highlighting or be an heavily used ex library copy with library markings, stickers or stamps. Dust jacket or accessories may not be included.
Good. 1999-Paperback-Used-Good---Shows some shelf-wear. May contain old price stickers or their residue, inscriptions or dedications from previous owners in first few pages and remainder marks. -Hall Street Books proudly ships from Brooklyn, NY. All orders are processed and shipped within 24 business hours, Mon-Fri. Expedited shipping and tracking available within the US. Hall Street? s No-Worry guarantee lets you buy with confidence!
Very good. There is some creasing along the spine and some light creasing on a few pages. Attractive book with clean pages and a solid spine. All items guaranteed, and a portion of each sale supports social programs in Los Angeles. Ships from CA.
Harold Bloom sends me to the dictionary -- the OED -- more than any other author. An amazing mind, superb writer. Professor Bloom says that Shakespeare not only had an in-depth understanding of human beings, but also that he "created" us -- He is able to show that everything that makes us human is found in Shakespeare.
Publishers Weekly, 1998-09-14 In some ways the crowning achievement of the controversial Yale critic's career (which has produced The Anxiety of Influence; The Book of J; etc.), this sweeping monograph devotes an essay to each of the plays, emphasizing their originality and their influence on subsequent literature, feeling and thought. The result is a series of brilliant, persuasive, highly idiosyncratic readings punctuated by attacks on current Shakespeare criticism and performance. The ratio of screed to reading is blessedly low; although Bloom has kept his common touch, one feels that he has ceased the play to the peanut gallery that made The Western Canon a cause célèbre. The leitmotif of Shakespeare's "invention of the human," i.e., of the changeable, individual human character, is a useful through-line to the essays but never highjacks them as Bloom's critical tropes sometimes do. Other extravagant claims?that Shakespeare wrote an early version of Hamlet between 1589 and '93, or that the playwright may have lived in physical terror of his street-tough rival Marlowe?may raise eyebrows, but they will not matter to readers who need this book. Those readers fall into two categories: performers and everyone who studies Shakespeare outside the academy. For the latter, Bloom is an ideal cicerone: a passionate, sensitive reader who tempers his irreverent common sense with an even-more-instructive stance of awe. And no critic?not even Bloom's masters A.C. Bradley or Harold Goddard?writes as well for actors and directors, or understands as clearly the performability of the plays. Indeed, it is a great pity that Bloom has not followed the example of Helen Vendler's recent edition of the sonnets and included a recording of his own recitations. BOMC main. (Oct.)
Alibris, the Alibris logo, and Alibris.com are registered trademarks of Alibris, Inc.
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited, Baker & Taylor, Inc., or by their respective licensors, or by the publishers, or by their respective licensors. For personal use only. All rights reserved. All rights in images of books or other publications are reserved by the original copyright holders.