In 1961, the Metropolitan Museum in New York paid $2,3000,000 for the painting "Aristotle contemplating the bust of Homer" by Rembrandt. It was the highest price ever paid for a painting. Rembrandt received 500 guilders for the same picture and fought off debtors all his life. Heller examines the painting out of its frame as a representation of ...
In 1961, the Metropolitan Museum in New York paid $2,3000,000 for the painting "Aristotle contemplating the bust of Homer" by Rembrandt. It was the highest price ever paid for a painting. Rembrandt received 500 guilders for the same picture and fought off debtors all his life. Heller examines the painting out of its frame as a representation of history, travelling through Greece, Holland, England and America encompassing life from 500 BC to the present day. The author also wrote "Catch 22", "Something Happened", "Good as Gold" and "God Knows".
Very good. Appearance of only slight previous use. Cover and binding show a little wear. All pages are undamaged with potentially only a few, small markings. Help save a tree. Buy all your used books from Thriftbooks. Read. Recycle and Reuse.
Good. 2000-Paperback-Used-Good--Shows some shelf-wear. May contain old price stickers or their residue, inscriptions or dedications from previous owners in first few pages and remainder marks.-. -Hall Street Books proudly ships from Brooklyn, NY. All orders are processed and shipped within 24 business hours, Mon-Fri. Expedited shipping and tracking available within the US. Hall Street's No-Worry guarantee lets you buy with confidence!
Publishers Weekly, 1988-07-01 In a radical departure, Heller has concocted a clever, strange piece of experimental historical fiction. As the novel begins, slovenly, debt-ridden Rembrandt van Rijn is painting his now-famous Aristotle Contemplating the Bust of Homer. Suddenly, we are whisked from 17th century Holland to ancient Greece, where an exiled, weary Aristotle clairvoyantly watches Rembrandt doing his portrait. Not much has changed, the philosopher concludes as he gazes down the centuries at our dawning modern era of greed, wars and capitalism run amok. Written in a flat, reportorial style, omniscient in viewpoint, the narrative confusingly and annoyingly jumpcuts in time and spacebetween and within epochs. The chapters on Athens, where Plato pontificates while Socrates berates the belligerent youth Alcibiades, are occasionally wickedly funny. Best read in short takes, this startling parable about the degeneration of art into commodity and the survival of human values in a materialistic world demands total suspension of disbelief. For willing readers, it casts an undeniable spell. First serial to Playboy; BOMC featured alternate. (September)
Alibris, the Alibris logo, and Alibris.com are registered trademarks of Alibris, Inc.
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited, Baker & Taylor, Inc., or by their respective licensors, or by the publishers, or by their respective licensors. For personal use only. All rights reserved. All rights in images of books or other publications are reserved by the original copyright holders.