In 1961, the Metropolitan Museum in New York paid $2,3000,000 for the painting "Aristotle contemplating the bust of Homer" by Rembrandt. It was the highest price ever paid for a painting. Rembrandt received 500 guilders for the same picture and fought off debtors all his life. Heller examines the painting out of its frame as a representation of ...
In 1961, the Metropolitan Museum in New York paid $2,3000,000 for the painting "Aristotle contemplating the bust of Homer" by Rembrandt. It was the highest price ever paid for a painting. Rembrandt received 500 guilders for the same picture and fought off debtors all his life. Heller examines the painting out of its frame as a representation of history, travelling through Greece, Holland, England and America encompassing life from 500 BC to the present day. The author also wrote "Catch 22", "Something Happened", "Good as Gold" and "God Knows".
Fine in very good dust jacket. Sewn binding. Cloth over boards. With dust jacket. 352 p. Audience: General/trade. The completed masterpiece "Aristotle Contemplating the Bust of Homer" makes its way from Amsterdam to Sicily and then through some three hundred years of wars and chaos to land safely at last in the Metropolitan Museum of Art in New York. Nobody but Heller could have written such a fantasy and done it so brilliantly.
Very Good in Very Good-dust jacket. 0399133550. Used hardcover in dj, 1988 FIRST EDITION WITH FULL NUMBER LINE, SIGNED BY HELLER ON FFEP. covers lightly scuffed, very light bumping at bottom front dj edge, 1/2" closed tear at bottom spine end, not price-clipped. light wear, binding is solid, text is clean, boards and page edges lightly scuffed but clean.; 9 X 6.10 X 1.60 inches; 352 pages; Signed by Author.
Publishers Weekly, 1988-07-01 In a radical departure, Heller has concocted a clever, strange piece of experimental historical fiction. As the novel begins, slovenly, debt-ridden Rembrandt van Rijn is painting his now-famous Aristotle Contemplating the Bust of Homer. Suddenly, we are whisked from 17th century Holland to ancient Greece, where an exiled, weary Aristotle clairvoyantly watches Rembrandt doing his portrait. Not much has changed, the philosopher concludes as he gazes down the centuries at our dawning modern era of greed, wars and capitalism run amok. Written in a flat, reportorial style, omniscient in viewpoint, the narrative confusingly and annoyingly jumpcuts in time and spacebetween and within epochs. The chapters on Athens, where Plato pontificates while Socrates berates the belligerent youth Alcibiades, are occasionally wickedly funny. Best read in short takes, this startling parable about the degeneration of art into commodity and the survival of human values in a materialistic world demands total suspension of disbelief. For willing readers, it casts an undeniable spell. First serial to Playboy; BOMC featured alternate. (September)
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