Our goal with every sale is customer satisfaction, so please buy with confidence. Every order is shipped the same day or the next day. This is a used book in good condition and may show some signs of use or wear.
Good. Item may show signs of shelf wear. Pages may include limited notes and highlighting. Includes supplemental or companion materials if applicable. Access codes may or may not work. Connecting readers since 1972. Customer service is our top priority.
Very Good. Dust jacket shows some very light edgwear, is otherwise clean and bright. The boards are clean and straight, with light bumping to the corners and the top and bottom of spine. The spine is solid and firm. Interior text block is straight and firmly attached to the spine, and free of markings. An attractive copy. Jacket Condition: Very Good. Size: 4to-over 9 3/4 in-12 in tall. Year: 1976.
Near Fine in Very Good dust jacket. Large Octavo 60 pp; This great book has only trace toning around page edges. Dust jacket has light toning & shelfwear, with light rubbing at edges and trace soiling. An attractive book with a solid binding and a clean tight unmarked text. Jacket protected in a clear Brodart cover. Book includes BW reproductions throughout and index. Tyler was a member of the Expert Committees of the American Philatelic Society, and the Society of Philatelic Americans.
Good in Good jacket. 8vo-over 7¾"-9¾" tall. Dust jacket good, several tape repairs. Red cloth with gilt lettering, Good. Corners bumped, light edge wear. Previous owner stamp. Black and white illustrations, 60 pages with index.
Fair. This is a used book. Potential defects may exist (folds, creases, highlighting, writing/markings, staining, stickers and/or sticker residue, ETC. ) COAS Books, A Bookstore for Everyone. Buy with confidence-Satisfaction Guaranteed!
B&W illustrations. Good w/good dustjacket (hardcover) 60pp. The author introduces his fascinating story of eighty-four of the greatest philatelic forgers of the past century, from Allan Taylor, creating crude fakes in the early 1860s to De Thuin, whose sophisticated works comprised a complete sale a century later without the owner or the auctioneers suspecting the most prized items were forged.
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