Otis Redding's third album, and his first fully realized album, presents his talent unfettered, his direction clear, and his confidence emboldened, with fully half the songs representing a reach that extended his musical grasp. More than a quarter of this album is given over to Redding's versions of songs by Sam Cooke, his idol, who had died the ...
Otis Redding's third album, and his first fully realized album, presents his talent unfettered, his direction clear, and his confidence emboldened, with fully half the songs representing a reach that extended his musical grasp. More than a quarter of this album is given over to Redding's versions of songs by Sam Cooke, his idol, who had died the previous December, and all three are worth owning and hearing. Two of them, "A Change Is Gonna Come" and "Shake," are every bit as essential as any soul recordings ever made, and while they (and much of this album) have reappeared on several anthologies, it's useful to hear the songs from those sessions juxtaposed with each other, and with "Wonderful World," which is seldom compiled elsewhere. Also featured are Redding's spellbinding renditions of "(I Can't Get No) Satisfaction" (a song epitomizing the fully formed Stax/Volt sound and which Mick Jagger and Keith Richards originally wrote in tribute to and imitation of Redding's style), "My Girl," and "You Don't Miss Your Water." "Respect" and "I've Been Loving You Too Long," two originals that were to loom large in his career, are here as well; the former became vastly popular in the hands of Aretha Franklin and the latter was an instant soul classic. Among the seldom-cited jewels here is a rendition of B.B. King's "Rock Me Baby" that has the singer sharing the spotlight with Steve Cropper, his playing alternately elegant and fiery, with Wayne Jackson and Gene "Bowlegs" Miller's trumpets and Andrew Love's and Floyd Newman's saxes providing the backing. Redding's powerful, remarkable singing throughout makes Otis Blue gritty, rich, and achingly alive, and an essential listening experience.Rhino's 2008 Collector's Edition undoubtedly adds a lot of music, but collectors should note it's short on previously unreleased material. Disc one contains the original mono album, and disc two the original stereo album, with each CD filled out by a good amount of live and studio bonus material. However, the only three previously unreleased cuts are mono mixes of the stereo album versions -- that's the exact terminology used on the sleeve -- of "I've Been Loving You Too Long," "Respect," and "Ole Man Trouble." That only qualifies as "previously unreleased," at least in sense of hearing music that's never been on the market before, by the barest of margins, though at least all of them run a little longer than the previously available versions. The inclusion of two B-sides ("Any Ole Way" and "I'm Depending on You") is nice, as is a fast studio take of "Respect" that was first issued on the 1992 compilation Remember Me. Historical liner notes by Stax scholar Rob Bowman are another good bonus. But as good as they are, the six and five cuts respectively from In Person at the Whisky a Go Go and Live in Europe must already be owned by most of the collectors interested in a release like this. As much good music as these two CDs contain, and as good as the packaging is, it falls into the uncomfortable gap of being too much for most fans -- who'll find the original unembellished album, in stereo or mono, just fine -- and not enough rarities for the true collector. ~ Bruce Eder & Richie Unterberger, Rovi