From Mark Z Danielewski, author of the cult best-seller "House of Leaves", comes the astonishing "Only Revolutions", a shoot-from-the-hip American road novel about Sam and Hailey - two wayward and wild kids who magically career across the American mainland and from the Civil Rights Movement to the Iraq War and beyond. Powered by an ever-evolving ...Read MoreFrom Mark Z Danielewski, author of the cult best-seller "House of Leaves", comes the astonishing "Only Revolutions", a shoot-from-the-hip American road novel about Sam and Hailey - two wayward and wild kids who magically career across the American mainland and from the Civil Rights Movement to the Iraq War and beyond. Powered by an ever-evolving fleet of cars, these two teenagers never age and never stop. They crash parties in New Orleans, barrel up the Mississippi, and blast through the Badlands, cutting a nation in half as they try to outrace History itself. And where this journey takes them is what sets the pages, even the actual book, turning. Alternating between Hailey and Sam, this kaleidoscopic novel spins the strangest, most gripping and lyrical love story published in more than a generation.Read Less
Publishers Weekly, 2006-08-28 A pastiche of Joyce and Beckett, with heapings of Derrida's Glas and Thomas Pynchon's The Crying of Lot 49 thrown in for good measure, Danielewski's follow-up to House of Leaves is a similarly dizzying tour of the modernist and postmodernist heights and a similarly impressive tour de force. It comprises two monologues, one by Sam and one by Hailey, both "Allmighty sixteen and freeeeee," each narrating the same road trip, or set of neo-globo-revolutionary events or a revolution's end: "Everyone loves the Dream but I kill it." Figuring out what's happening is a big part of reading the book. The verse-riffs narrations, endlessly alliterative and punning (like Joyce) and playfully, bleakly existential (like Beckett), begin at opposite ends of the book, upside down from one another, with each page divided and shared. Each gets 180 words per page, but in type that gets smaller as they get closer to their ends (Glas was more haphazard), so they each gets exactly half a page only at the midway point of the book: page 180 or half of a revolution of 360 degrees. A time line of world events, from November 22, 1863 ("the abolition of slavery"), to January 19, 2063 (blank, like everything from January 18, 2006, on), runs down the side of every page. The page numbers, when riffled flip-book style, revolve. The book's design is a marvel, and as a feat of Pynchonesque puzzlebookdom, it's magnificent. The book's difficulty, though, carries a self-consciousness that Joyce & Co. decidedly lack, and the jury will be out on whether the tricks are of the for-art's-sake variety or more like a terrific video game. (Sept. 5) (c) Copyright PWxyz, LLC. All rights reserved
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