Fair. Creasing and shelf wear. Spine is starting to tear at top. Book store price tag on the front. Book store stamp inside front and back covers. Initials on the inside. Pages tight, clean and unmarked.
Good in good dust jacket. First edition, first printing. Corners bumped, prior owner name inside, edges somewhat soiled. Jacket corners frayed. A presentable copy when mylar covered. Shipped in a box, not a padded mailer.
Good. 0491020163 Dust Jacket has edge wear, someone wrote numbers on the last blank page, good copy, UPGRADE ON ALL ORDERS OVER 9.50 LOWER 48 US 2-3 Day, OVER 25.00 CAN 5-9 DAY, In Stock, 30 Day No questions asked Money Back Guarantee! NYB1660-06062016 MAOBT.
Near Fine in Very Good DJ. First printing, near fine hardcover shows just a trace of wear, in very good + dust jacket (price at flap) showing some light shelf wear and couple of short closed edge tears. 319 pages with three sets of black & whites. Good look copy of this autobiograpy of the screen legend.
The delivery was quite fast to Belgium. Everything was as stated by the seller.
Mar 14, 2016
This was a very entertaining book and I thoroughly enjoyed it.
Feb 13, 2014
I enjoyed this autobiography and think that Ms Fontaine has a really good writing style. I found it to be interesting and a worthwhile read.
Nov 6, 2010
Rebeca was my favourite book in my youth and 40 years on, the film remains a favourite of all time. Joan Fontaine has always been my ideal of beauty so her autobiography was on a bound to be fascinating. No Bed Of Roses surpassed alll expectations and is sure to enthrall anyone isterested in Hollywood's golden age,
Jan 7, 2010
This book might be called 'How to avoid blame', which may be a bit harsh, since Miss Fontaine does a creditable job on her autobiography. And the tales out of school !! Joseph Cotton getting even with Hedda Hopper after a particularly maligning paragraph in Hopper's column (p.165), Mary Martin taking over the Thanksgiving party at Joan's apartment and Richard Halliday's 'put-down' at the end of the evening (p.220), and Joe Kennedy's proposition in between courses at Joan's house (p.267), just to name a few - are a really frank insight into the Hollywood milieu. But what comes over mainly, apart from the on-again-off-again feud with her sister, Olivia de Havilland, is the way Joan Fontaine deflects any possible blame from herself, such as the time she left the two girls, daughter Debbie, newly adopted Peruvian girl, Martita, with the housekeeper and flew to Europe, ostensibly to get some film work, only to spend a few months romancing with the late Aly Khan, while the two young girls were with the hired help. But since the de Havilland sisters were two of the most beautiful and glamorous stars of the 1940's onwards, so perhaps they can be excused in part for all the feuding, the slights on Oscar nights, the failed marriages and the haphazard motherhood. A definitive Hollywood story.
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