Welcome to the Seventh Annual Conference of the Society for Protection and Reclamation of Indian Images. Expect to find, amid all the refined cultural observations, academic posturing, and political maneuvering, an Indian who defies anyone to protect, let alone reclaim, "her" image. This is Shirley Mounter, a Tuscarora woman and the chief ...
Welcome to the Seventh Annual Conference of the Society for Protection and Reclamation of Indian Images. Expect to find, amid all the refined cultural observations, academic posturing, and political maneuvering, an Indian who defies anyone to protect, let alone reclaim, "her" image. This is Shirley Mounter, a Tuscarora woman and the chief storyteller among the acerbic, eloquent, and often hilarious speakers who overflow the pages of this latest novel by the noted Onondaga writer Eric Gansworth. A lecture on Indian stereotypes by Shirley's daughter, art historian Annie Boans, calls forth Shirley's recollections, whose outpourings deposit us in the turbulent yet restorative waters of modern Iroquoian reservation life, always flowing and eddying around kin. Indeed, Shirley's house and land are now, after a long and bitter fight, forever lost to her in the construction of a water reservoir that feeds the government's hydroelectric plant. The story of this battle is the story of Shirley's generation and the faltering generation that follows--of violent love and losses, of children turning away only to find themselves forever negotiating the nuances of identity, of popular culture in jarring juxtaposition with the sometimes even more incredible realities of Native life. Weaving a complex narrative illustrated with his own paintings, Gansworth creates a rich, wry, and multifaceted tapestry of the intricate twists and turns of coincidence, memories, and stories that bind Native families together.
Publishers Weekly, 2005-02-21 Gansworth's third novel (after Smoke Dancing) begins rather ponderously with a partial transcript of a keynote address at a conference to protect and reclaim Indian images, but the primary narrator is soon revealed to be garrulous Shirley Mounter, whose daughter, Annie Boans, an art historian, is involved in the conference. Shirley and Annie are members of the Tuscarora tribe, which once dominated the land around Niagara Falls, and the tribulations of the tribe are the backdrop for Shirley's rambling storytelling, which mostly deals with her problematic relationship with her lazy husband, Harris. Annie's equally troubled marriage enters the picture in the second half of the book, but the novel's climax comes in a scene in which a group of reservation bad boys drive a car into the house of Annie's mother-in-law, Martha, who loses most of her possessions in the subsequent fire. Gansworth's decision to break up Shirley's narration with first-person passages from the perspective of other characters presents definite strengths and weaknesses; stylistically, it creates a folksy, appealing tone that makes the novel more accessible, but the choppy, uneven storytelling leads to a lack of focus. The play of voices can be engaging, but the narrative lacks the coherence to be truly effective. (Mar.) Copyright 2005 Reed Business Information.
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