Excerpt: ...(1486-1531), because his father was a tailor, was called del Sarto, also, il pittore senza errori, "the faultless painter." 2. Lucrezia: di Baccio del Fede, a cap-maker's widow, says Vasari, who ensnared Andrea "before her husband's death, and who delighted in trapping the hearts of men." 15. Fiesole: a hillside city on the Arno, three ...
Excerpt: ...(1486-1531), because his father was a tailor, was called del Sarto, also, il pittore senza errori, "the faultless painter." 2. Lucrezia: di Baccio del Fede, a cap-maker's widow, says Vasari, who ensnared Andrea "before her husband's death, and who delighted in trapping the hearts of men." 15. Fiesole: a hillside city on the Arno, three miles west of Florence. 93. Morello: the highest of the Apennine mountains north of Florence. 105. The Urbinate: Raphael Santi (1483-1520), so called because born at Urbino. 106. Vasari: painter and writer of the "Lives of the Most Excellent Italian Painters," which supplied Browning with material for this poem and for "Fra Lippo." 130. Agnolo: Michel Agnolo Buonarotti, painter, sculptor, and 1architect (1475-564). 149. Francis: Francis I of France (1494-1547), who invited Andrea to his Court at Fontainebleau, where he was loaded with gifts and honors, until, says Vasari, "came to him certain letters from Florence written to him by his wife . . . with bitter complaints," when, taking "the money which the king confided to him for the purchase of pictures and statues, . . . he set off . . . having sworn on the Gospels to return in a few months. Arrived in Florence, he lived joyously with his wife for some time, making presents to her father and sisters, but doing nothing for his own parents, who died in poverty and misery. When the period specified by the king had come . . . he found himself at the end not only of his own money but . . . of that of the king." 184. Agnolo . . . to Rafael: Angelo's remark is given thus by Bocchi, "Bellezze di Firenze"; "There is a bit of a manikin in Florence who, if he chanced to be employed in great undertakings as you have happened to be, would compel you to look well about you." 210. Cue-owls: the owl's cry gives it its common name in various languages and countries; the peculiarity of its cry as to the predominant sound of oo or ow naming the species. This Italian a ulo is probably...
A hardback volume in Good condition, slight sunnning to spine and top front board. No dustjacket. This book is in stock now in our UK premises. Please note that dustjacket and cover illustrations may vary and the pictures you may see are often not ours. Overseas buyers also note that shipping rates apply to packets of 1Kg and under, and should the packed weight of an item exceed this we may request extra postage prior to fulfilling the order.
Fair. No Dustjacket. 1939. 291 pages. No dust jacket. Blue cloth with gilt lettering. Hinge cracked with noticeable foxing, tanning and handling marks. Missing front endpaper with pencil marking at front paste-down. Intermittent dog-eared corners and creasing with annotations throughout. Noticeable bumping, rubbing and scuffing to spine ends and to corners with noticeable rubbing, water marking and wear along edges and over surfaces.
Very good in very good dust jacket. In VERY GOOD condition, nice and clean overall, dispatched daily from the UK This book is in VERY GOOD overall condition, with only minor signs of previous ownership.
Very Good. 12mo-over 6¾"-7¾" tall. In the classy Dent Temple Classics series, 12mo, 291pp, olive green soft leather lettered and decorated gilt, top edge gilt, decorated title page and frontis; previous owner's name and date to ffep and same owner has marked some titles in the index very lightly; little of the usual rubbing to spine extrems, some mild tanning but by and large a well-preserved example of this notoriously fragile series; VG Copy, no DJ.
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