Referred to by superstitious actors as 'the Scottish play', William Shakespeare's Macbeth is a tragedy in which appalling earthly crimes have lasting supernatural repercussions. This Penguin Shakespeare edition is edited by George Hunter with an introduction by Carol Rutter. 'By the pricking of my thumbs, Something wicked this way comes'. Promised ...
Referred to by superstitious actors as 'the Scottish play', William Shakespeare's Macbeth is a tragedy in which appalling earthly crimes have lasting supernatural repercussions. This Penguin Shakespeare edition is edited by George Hunter with an introduction by Carol Rutter. 'By the pricking of my thumbs, Something wicked this way comes'. Promised a golden future as ruler of Scotland by three sinister witches, and spurred on by his wife, Macbeth murders King Duncan to ensure his ambitions come true. But he soon learns the meaning of terror - killing once, he must kill again and again, and the dead return to haunt him. A story of war, witchcraft and bloodshed, Macbeth also depicts the relationship between husbands and wives, and the risks they are prepared to take to achieve their desires. This book contains a general introduction to Shakespeare's life and Elizabethan theatre, a separate introduction to Macbeth, a chronology, suggestions for further reading, an essay discussing performance options on both stage and screen, and a commentary. William Shakespeare (1564-1616) was born to John Shakespeare and Mary Arden some time in late April 1564 in Stratford-upon-Avon. He wrote about 38 plays (the precise number is uncertain), many of which are regarded as the most exceptional works of drama ever produced, including Romeo and Juliet (1595), Henry V (1599), Hamlet (1601), Othello (1604), King Lear (1606) and Macbeth (1606), as well as a collection of 154 sonnets, which number among the most profound and influential love-poetry in English. If you enjoyed Macbeth, you might like Hamlet, also available in Penguin Shakespeare. "Shakespeare - the nearest thing in incarnation to the eye of God." (Lawrence Olivier).
Fair. Good copy for reading, may have heavy page wear with writing textual notes highlighting or be an heavily used ex library copy with library markings, stickers or stamps. Dust jacket or accessories may not be included.
William Shakespeare?s historic tragedy, Macbeth, chronicles the downfall of an ambitious man. Together, false images, a deranged wife, and his own rejection of truth lead him astray. However, Macbeth has no one to blame but himself, for he consciously chooses a path of evil, deliberately avoiding truth for his own advancement. He consistently blames fate for his actions in an attempt to justify himself, but at the same time realizes his own depravity. Hypocritical throughout, Macbeth allies himself with ?lower? men, murderers and thieves, and tries to allay his conscience by abusing them and praising himself.
Oct 2, 2007
Its hard to review Shakespeare since most people consider him the greatest writer of all time. I normally do not like his plays, but Macbeth is different. I actually enjoyed reading it. It also gave me an appreciation for Shakespeare.
Lady Macbeth is the driving force behind all the action. Its nice to see a powerful female lead. Okay she's the villian, but she's at least an entertaining one.
Publishers Weekly, 2012-08-27 Shakespeare's tragedy about the ill-fated thane of Cawdor is brought to life via this one-man interpretation from Alan Cumming. Motivated by his scheming wife, Macbeth lusts for and then takes power, which leads to regicide and his own undoing. Building upon his performance in the audio edition of A.J. Hartley and David Hewson's Macbeth: A Novel, Cumming executes a captivating solo performance of this classic play. With an authentic Scottish accent, Cumming ably embodies Lord Macbeth. He shifts from character to character seamlessly, capturing the tone, attitude, and emphasis of each, while providing an increasing intensity that conveys the reprehensible, irreparable nature of the title character's actions. In addition to embracing the various characters, Cumming's powerful performance even elevates the play's stage directions, which-rather than feeling like crude interruptions to the dialogue-slip in smoothly like the knife used to slay King Duncan. (July) (c) Copyright PWxyz, LLC. All rights reserved.
Publishers Weekly, 2012-01-30 Audio productions of Shakespeare's work can be a challenge to execute, but L.A. Theatre Works delivers a gripping full-cast dramatization that keeps listeners engaged from start to finish. When Macbeth is told he will one day become king of Scotland, Lady Macbeth hatches an evil plot that ends in bloody regicide and tragedy. James Marsters delivers an admirable performance as Macbeth, conveying the character's conflicting emotions and subsequent arrogance. Equally skilled is Joanne Whalley, whose Lady Macbeth transforms from a determined and opportunistic woman in the beginning of the play to a depressed and despairing one in the final act. Recorded in front of a live audience, this well-produced audio also features music and sound effects-all of which make for an absolutely entertaining listening experience. (Aug.) (c) Copyright PWxyz, LLC. All rights reserved.
Publishers Weekly, 1993-03-01 Based on an HBO animated series, these condensations emphasize the dramatic content of some of Shakespeare's best known works. As abridged by Garfield in consultation with a panel of scholars, the books on the whole retain the magic of Shakespeare's vision and remain true to his poetics. Linguistic fluidity is perforce sacrificed (omitted lines are presented as italicized summaries interspersed throughout the dialogue), but these versions should still fire children's imaginations. Though the artwork varies in quality, the Eastern European illustrators generally capture the underlying theatrics. Palettes are subdued for the dramas, and appropriately brighter for the comedies (though the tone reproductions frequently seem off). Several plays' illustrations have a cartoony appearance; a few exhibit the stilted look of old Classics Comics. While the plays forgo their complexities--many subplots are omitted--as they become more linear in their themes (Macbeth loses much of his humanity, Romeo and Juliet is pared of its politics), their nobility shines through in these visualized introductions. One hopes that readers will be encouraged to move on to the originals. Ages 10-up. (Mar.) (c) Copyright PWxyz, LLC. All rights reserved
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