First Edition. Preface by Robert Steele (dated November 1965). Goldberg analyzes the great director's work, his filmmaking technique, and especially his philosophy in a sweeping review, including the films "Lucia del varieta" ("Variety Lights, " 1950), "Lo sceicco biano" ("The White Sheik, " 1952), "I Vitelloni" (1953), "La strada" ("The Road, " 1954), "Il bidone" (1955), "Le notti di Cabiria" ("Nights of Cabiria, " 1957), "La Dolce Vita" (1960), and "8 1/2" (1963). Also includes a woodcut by Jane Marshall Brewer, a bibliography and an appendix. Number 6 of Boston University's "Film Studies" series. White comb binding with light blue wrappers and die-cut window in the British style. 115 pages. Toning, else Near Fine.
4826101163 TEXT IN JAPANESE. A superb pictorial on the great director. There is very little text and most of the book is comprised of beautiful b&w photos, stills, and posters printed on nice glossy paper. There is also a section of color photos. One of the nicest pictorials on Fellini. There is a very soft small faint bump to the top corner of some of the pages, otherwise a near fine copy.
About fine in VG dust jacket browned at spine and in sound used near VG slip-case. Large 4to. Original publisher's blue cloth lettered white on spine. pp 136. Copiously illustrated in colour throughout. French text.
Vintage double weight silver gelatin still photograph of Federico Fellini and actress Magali NoŽl on the set of "Amarcord, " taken by photographer Patrick Morin. With Morin's stamp on the verso, and importantly, the stamp of the Swedish Magazine Service for whom Morin was working, dated August 3, 1973. A vintage print of what has become one of the most iconic images of Fellini at his peak. One of the greatest directors of women in the history of world cinema, at the center of his element, projecting confidence and focus, and the subject of female adoration. NoŽl was a favorite of Fellini, appearing in "La Dolce Vita" (1960), "Satyricon" (1969), and "Amarcord" (1973). She also appeared in a number of other important foreign films, including "Du rififi chez les hommes" (Jues Dassin, 1955), "Les Grandes Manœ uvres" (Renť Clair, 1955)) "Boulevard" (Julien Duvivier, 1960), and "Z" (Costa Gavras, 1969). Morin was one of the first high-end celebrity photographers, capturing classic images of figures including Charles De Gaulle, Erich von Stroheim, Grace Kelly, Jean Cocteau, Kirk Douglas, Gina Lollobrigida, Anouk Aimee, and Marcello Mastroianni. He is perhaps best known for staging (along with Roger Vadim) a scandalous half-naked-in-Cannes image of Brigitte Bardot on the beach, before the term "paparazzi" was even coined. In a custom museum-quality frame, archivally mounted, with UV glass. 7.5 x 11.25 inches. Two tiny surface artifacts, else Fine.
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