From the beginning of the first essay: RUSSIAN NATIONAL CHARACTER AS SHOWN IN RUSSIAN FICTION The Japanese war pricked one of the biggest bubbles in history, and left Russia in a profoundly humiliating situation. Her navy was practically destroyed, her armies soundly beaten, her offensive power temporarily reduced to zero, her treasury exhausted, her pride laid in the dust. If the greatness of a nation consisted in the number and size of its battleships, in the capacity of its fighting men, or in its financial ...
From the beginning of the first essay: RUSSIAN NATIONAL CHARACTER AS SHOWN IN RUSSIAN FICTION The Japanese war pricked one of the biggest bubbles in history, and left Russia in a profoundly humiliating situation. Her navy was practically destroyed, her armies soundly beaten, her offensive power temporarily reduced to zero, her treasury exhausted, her pride laid in the dust. If the greatness of a nation consisted in the number and size of its battleships, in the capacity of its fighting men, or in its financial prosperity, Russia would be an object of pity. But in America it is wholesome to remember that the real greatness of a nation consists in none of these things, but rather in its intellectual splendour, in the number and importance of the ideas it gives to the world, in its contributions to literature and art, and to all things that count in humanity's intellectual advance. When we Americans swell with pride over our industrial prosperity, we might profitably reflect for a moment on the comparative value of America's and Russia's contributions to literature and music. At the start, we notice a rather curious fact, which sharply differentiates Russian literature from the literature of England, France, Spain, Italy, and even from that of Germany. Russia is old; her literature is new. Russian history goes back to the ninth century; Russian literature, so far as it interests the world, begins in the nineteenth. Russian literature and American literature are twins. But there is this strong contrast, caused partly by the difference in the age of the two nations. In the early years of the nineteenth century, American literature sounds like a child learning to talk, and then aping its elders; Russian literature is the voice of a giant, waking from a long sleep, and becoming articulate. It is as though the world had watched this giant's deep slumber for a long time, wondering what he would say when he awakened. And what he has said has been well worth the thousand years of waiting. To an educated native Slav, or to a professor of the Russian language, twenty or thirty Russian authors would no doubt seem important; but the general foreign reading public is quite properly mainly interested in only five standard writers, although contemporary novelists like Gorki, Artsybashev, Andreev, and others are at this moment deservedly attracting wide attention. The great five, whose place in the world's literature seems absolutely secure, are Pushkin, Gogol, Turgenev, Dostoevsky, and Tolstoy. The man who killed Pushkin in a duel survived till 1895, and Tolstoy died in 1910. These figures show in how short a time Russian literature has had its origin, development, and full fruition....
Ex-library with typical library markings/labels, stamped withdrawn. Minor underlining. Binding good. Cover scuffed, corners bumped. Your purchase benefits world-wide relief efforts of Mennonite Central Committee.
Very Good. No Jacket. William Lyon Phelps was the Lampson Professor of English Literature at Yale. Includes essays on the following topics and novelists: "Russian National Character", "Gogol", "Turgenev", "Dostoevski", "Tolstoi", Gorki", "Chekhov", "Artsybashev", "Andreev", "Kuprin's Picture of Garrison Life", "List of Publications". A very good hardcover copy with bright gilt spine and cover lettering. Owner's name on front endpaper; light wear. Tight binding. Clean, unmarked pages. NOT ex-library. 322pg +back ads. Shipped Weight: Under 1 kilogram. Category: Literary Criticism; Inventory No: 018900.
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