""I found a pattern in my behavior that had been repeating itself for years, decades even. Bad choices were my specialty, and if something honest and decent came along, I would shun it or run the other way." " With striking intimacy and candor, Eric Clapton tells the story of his eventful and inspiring life in this poignant and honest ...
""I found a pattern in my behavior that had been repeating itself for years, decades even. Bad choices were my specialty, and if something honest and decent came along, I would shun it or run the other way." " With striking intimacy and candor, Eric Clapton tells the story of his eventful and inspiring life in this poignant and honest autobiography. More than a rock star, he is an icon, a living embodiment of the history of rock music. Well known for his reserve in a profession marked by self-promotion, flamboyance, and spin, he now chronicles, for the first time, his remarkable personal and professional journeys. Born illegitimate in 1945 and raised by his grandparents, Eric never knew his father and, until the age of nine, believed his actual mother to be his sister. In his early teens his solace was the guitar, and his incredible talent would make him a cult hero in the clubs of Britain and inspire devoted fans to scrawl "Clapton is God" on the walls of London's Underground. With the formation of Cream, the world's first supergroup, he became a worldwide superstar, but conflicting personalities tore the band apart within two years. His stints in Blind Faith, in Delaney and Bonnie and Friends, and in Derek and the Dominos were also short-lived but yielded some of the most enduring songs in history, including the classic "Layla." During the late sixties he played as a guest with Jimi Hendrix and Bob Dylan, as well as the Beatles, the Rolling Stones, and longtime friend George Harrison. It was while working with the latter that he fell for George's wife, Pattie Boyd, a seemingly unrequited love that led him to the depths of despair, self-imposed seclusion, and drug addiction. By the early seventies he had overcome his addiction and released the bestselling album "461 Ocean Boulevard," with its massive hit "I Shot the Sheriff." He followed that with the platinum album "Slowhand," which included "Wonderful Tonight," the touching love song to Pattie, whom he finally married at the end of 1979. A short time later, however, Eric had replaced heroin with alcohol as his preferred vice, following a pattern of behavior that not only was detrimental to his music but contributed to the eventual breakup of his marriage. In the eighties he would battle and begin his recovery from alcoholism and become a father. But just as his life was coming together, he was struck by a terrible blow: His beloved four-year-old son, Conor, died in a freak accident. At an earlier time Eric might have coped with this tragedy by fleeing into a world of addiction. But now a much stronger man, he took refuge in music, responding with the achingly beautiful "Tears in Heaven." "Clapton" is the powerfully written story of a survivor, a man who has achieved the pinnacle of success despite extraordinary demons. It is one of the most compelling memoirs of our time.
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I'd recommend this book to a friend, but only if that friend really liked Eric Clapton and his music and wanted to know more. For me, this book was a little ponderous. Too much mea culpa and too little fun anecdotes.
Oct 22, 2007
A fascinating chronicle of Eric Clapton's life from a middle-class childhood in rural England through a life of addiction and self-hatred to his re-emergence in his 50s as a contented family man. Clapton is brutally honest about himself, about how obnoxious and difficult he was as an alcoholic and drug addict, about his disastrous and at the very least mentally abusive relationships with women, and about how he tried to game the rehab system before sliding back into alcoholism and eventually getting sober. The story of his son and the ensuing success of Tears in Heaven, the song he wrote after his son died in a tragic accident when he was 4 years old, is especially haunting. He points to the success of his album Unplugged and then to the cost of that success: a tiny grave in his hometown churchyard. He also presents riveting accounts his encounters with the musicians he's played with throughout his life: George Harrison and the rest of the Beatles, Jimi Hendrix, Stevie Ray Vaughn and a host of blues musicians who he reveres and emulates. Fans will probably love the book and the chance to learn more about the intriguing man behind the music. Non-fans may be disgusted with his self-indulgences and rationalizations for his behavior. But this autobiography is a fascinating look at a private man who has been a music icon for more than 40 years.
Publishers Weekly, 2007-11-26 Clapton's heartfelt memoir is given the perfect gift in its reader: acclaimed actor and fellow Brit Bill Nighy (Pirates of the Caribbean; Love, Actually). Nighy reads Clapton's tender, dignified remembrance of his legendary career as if it had all truly happened to him. He is simply a cut above the run-of-the-mill reader and ably handles the unvarnished first-person recounting of Clapton's rise to fame, his struggles with addiction and relationship problems, and his return to sobriety and musical success. Clapton picks through the wreckage of his past, including the tragic death of his son, Conor, and Nighy reads with vigor and restraint. Clapton's tone is apologetic and nostalgic, and Nighy admirably conveys both sentiments. Joining the two together is an audio match made in heaven. Simultaneous release with the Broadway Books hardcover (Reviews, Aug. 20). (Oct.) Copyright 2007 Reed Business Information.
Publishers Weekly, 2007-08-20 Readers hoping for sex and drugs and rock 'n' roll won't be disappointed by the legendary guitarist's autobiography. As he retraces every step of his career, from the early stints with the Yardbirds and Cream to his solo successes, Clapton also devotes copious detail to his drug and alcohol addictions, particularly how they intersected with his romantic obsession with Pattie Boyd. His relationship with the woman for whom he wrote "Layla" culminated in a turbulent marriage he describes as "drunken forays into the unknown." But he genuinely warms to the subject of his recovery, stressing its spiritual elements and eagerly discussing the fund-raising efforts for his Crossroads clinic in Antigua. His self-reckoning is filled with modesty, especially in the form of dissatisfaction with his early successes. He professes ambivalence about the famous "Clapton is God" graffiti, although he admits he was grateful for the recognition from fans. At times, he sounds more like landed gentry than a rock star: bragging about his collection of contemporary art, vigorously defending his hunting and fishing as leisure activities, and extolling the virtues of his quiet country living. But both the youthful excesses and the current calm state are narrated with an engaging tone that nudges Clapton's story ahead of other rock 'n' roll memoirs. (Oct. 9) Copyright 2007 Reed Business Information.
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