Are the drawings of Fernado Botero "notes" for future works? Or, as Marc Fumaroli states in this book, something different which has a goal in and of itself? Whether choosing one or the other theory, Botero's drawings strive to regain possession of an artistic ideal which leads not so much to the finding of the evident complexity of his paintings ...
Are the drawings of Fernado Botero "notes" for future works? Or, as Marc Fumaroli states in this book, something different which has a goal in and of itself? Whether choosing one or the other theory, Botero's drawings strive to regain possession of an artistic ideal which leads not so much to the finding of the evident complexity of his paintings and sculpture but rather to an approach to the problems of concept and structure in the "Boterian" world. When these "notes" or sketches reappear in canvas or bronze, they allow a glance into the gestation of Botero's work, peeping into the intimate knowledge of his craft which has been acquired through his creative process. But, when the sketch remains there, on paper, it suddenly finds its true calling, its own "place in the world" and it is no longer necessary for it to be projected into another future work. That is why these drawings have the charm of what has been made to last as it is, in a state of grace, or in a sort of transition towards a painting. There is no lost experience for the artist. His drawings, as well as the magnificent gallery of portraits which make up this book, testify to it. "Drawings by Botero" is, not only an exact expression of his aesthetics, but also a study of his figures and an inner reflection of his pictorial world, through the lessons taught by the virtuosity displayed in handling line contouring and proportions. Giving material form in a world far removed from the transitional, the series of drawings includes portraits--half real, half imaginary--or personages to whom Botero has given ironic, critical or tender lives in that world of his that has become dear to us: the bishop, the acolyte, the bullfighter, the lovers...the gallery is endless. As it is, critical recognition of drawing limits itself to the mere credit of its usefulness as preliminary sketching in the case of many artists. In Botero's work, however, it is related to the ability to escalate towards another artistic dimension, that which implies making vital statements and decisions within the process of creating a work of art.
Very Good+ 17 full page color plates. Published on the occasion of the exhibition at the Marlborough Gallery, New York, September 14-November 6, 1993.; Tight, clean and crisp. A gently read book in excellent condition. No inscriptions. No remainder mark. Not ex-library. Almost Like New.; 4to; 36 pages.
Very Good in Very Good dust jacket. Hardcover. 4to. Villegas Editores. 1999. 240 pgs. 200 illustrations mostly in color. DJ in VG shape with light shelfwear present to the DJ. No ownership marks present. Text is clean and free of marks, binding tight and solid, boards clean with no wear present. Photos sent upon request. Bx-166; 4to 11"-13" tall; 240 pages.
Very Good in Very Good jacket. Very good, in very good jacket. Light bumping to extremities. Jacket spine sunned. Get the product you want, in the condition you expect. No ex-library items. No markings, unless indicated. We shrink wrap most items and ship in new corrugated boxes.
Alibris, the Alibris logo, and Alibris.com are registered trademarks of Alibris, Inc.
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited, Baker & Taylor, Inc., or by their respective licensors, or by the publishers, or by their respective licensors. For personal use only. All rights reserved. All rights in images of books or other publications are reserved by the original copyright holders.