Two of the greatest storytellers of our time join forces to create an epic thriller of unsurpassed power; a twisting, compelling story of a small American town held in the grip of evil beyond all reason. French Landing, Wisconsin. A comfortable, solid middle-American town inhabited by comfortable, solid middle-Americans! and a serial killer. Three children have been lost -- taken by a monster with a taste for child's flesh nicknamed 'The Fisherman' after a legendary murderer. It's all way beyond the experience of the ...
Two of the greatest storytellers of our time join forces to create an epic thriller of unsurpassed power; a twisting, compelling story of a small American town held in the grip of evil beyond all reason. French Landing, Wisconsin. A comfortable, solid middle-American town inhabited by comfortable, solid middle-Americans! and a serial killer. Three children have been lost -- taken by a monster with a taste for child's flesh nicknamed 'The Fisherman' after a legendary murderer. It's all way beyond the experience of the local police, whose only hope lies with ex-detective Jack Sawyer, the man who cracked their last case for them. But, plagued by visions of another world, Jack has retired to this rural retreat precisely to avoid such horrors -- and, having recognized the touch of madness on this case, he's keeping well away. Soon, he'll have no choice. Young Tyler Marshall, left behind one afternoon by his bullying friends, pedals past the local old folks' home and is accosted by a crow. 'Gorg,' it caws, and 'Ty.' What ten-year-old could resist a bird that speaks his name? Not Ty, that's for sure. And as he follows the mysterious crow, he's grabbed by the neck and dragged into a hedge. The Fisherman has made another catch!
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While I do not generally look to Stephen King for eloquent writing, he can create and describe a mind-bending nightmare world as no one else. This novel, which follows the previous Straub-King effort, is very engaging. Many of the scenes and characters are nearly cliché and predictable. The twisted aspects of the plot and the bizarre nature of the crisis go far in making up for this. An old geezer wearing a dressing gown and shifting between alternate realities while wreaking havoc is a novel idea. The pace of the novel is fast. The writing is a bit more polished and comprehensible than most King work, due most likely to the Straub collaboration. This book is self-contained; it is not necessary to read Talisman first. King does provide a unique point of view and periodically makes a comment or an observation that is immensely real, capturing the essence of the situation. The bikers and their dialogue are shallow, but the queen in the asylum and the dream connection with Jack are very good. The notes from the Fisherman, signed ?your fiend? and the snatching of a kid leaving a sneaker are haunting. I enjoyed the book, but King?s real talent is writing short stories. His ideas have a variety and range that are practically unmatched.
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