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Beethoven: Pathétique, Moonlight, Appassionata ()

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Following his recordings on Deutsche Grammophon of music by Frédéric Chopin and Franz Liszt, Chinese pianist Yundi Li takes on the three most popular piano sonatas of Ludwig van Beethoven, the "Pathétique," "Moonlight," and "Appassionata." Known for having brilliant technique and dynamic showmanship, Yundi plays against type in these beloved works, which call for more introspection and expressiveness than might be expected from him. Even though the outer movements of "Pathétique" and "Appassionata" and the last movement of "Moonlight" give Yundi ample opportunity to demonstrate his agility, power, and high energy, they are relatively restrained, compared to the kind of virtuosic fare that made him an international star. Furthermore, the Classical impulse that informed these sonatas calls for a balance of moods, not just bravura playing. The slow movements let Yundi show he is more than just a flashy technician, and he gives carefully considered performances that work, albeit as fairly Romantic... Hide synopsis

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