Blake Edwards' 10 stars Dudley Moore as George, a Mancini-type songwriter. Approaching middle age, George feels as if life is passing him by, especially his sex life. Despite the presence of longtime lady friend Sam (Julie Andrews) in his life, he becomes obsessed from afar with Jenny (Bo Derek), who is engaged to be married. Following her to ...Read MoreBlake Edwards' 10 stars Dudley Moore as George, a Mancini-type songwriter. Approaching middle age, George feels as if life is passing him by, especially his sex life. Despite the presence of longtime lady friend Sam (Julie Andrews) in his life, he becomes obsessed from afar with Jenny (Bo Derek), who is engaged to be married. Following her to Mexico without her knowledge, George arranges a meeting with Jenny by saving the life of her fiancT, David (Sam Jones). Once he has made her acquaintance, George suddenly finds himself faced with the realities of embarking on such an affair. Beyond renewing the popularity of Maurice Ravel's "Bolero" and turning Bo Derek into a star, upon its release, 10 was one of the most financially successful Blake Edwards films in years. Matthew Tobey, RoviRead Less
Robert Webber, Bo Derek, Julie Andrews, Dudley Moore. 2011 Run time: 122. We sell NEW Factory Sealed product, your satisfaction is guaranteed. Fast Shipping! 100% Customer Satisfaction, over 30 years of Happy Customers. Fast, safe secure shipping in bubble wrap mailers so your order arrives in perfect condition.
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Watch so you can see Bo Derek and the Aphrodite she is. Here's what's happened here, so bias may be in play. I watched "Clue" and reviewed it. I watched "10" and then "Dirty Rotten Scoundrels" before I came back to write this. Three comedies and "10" is the totem's low image. It is a fair exam and depiction of masculine menopause. Moore does a good job of dialogue delivery but it's just not funny. In fact it works to expoit the beauty of Derek by portraying her in a 'loose' manner. Russ Meyer may have been less expoitative of his women than Blake Edwards and John Derek were and that idea drops the relevancy of this film and the need to see it to the bottom of the queue. Sorry, it's better than the bottom layer but it's down there. They don't even play Ravell's "Bolero" to conclusion or uninterupted and that music was a big play on the selling of the film (Look up "Bolero" and you find John Derek again capitalizing on his wife and the song in a poor manner)